![]() The portrait of the artist as flawed human being has become a clich?, and Michaelis admirably steers clear of it. "He spent a startling amount of time over nearly sixty years polishing a cameo of boyish helplessness and frustration." Schulz's "stubbornly held resentment had no ending," writes Michaelis. Although talent going unrecognized was central to the legend Schulz created about himself, in fact his teachers and others regarded Sparky as exceptional. Not one of the childhood friends Michaelis interviewed "could recall any instance where Sparky himself was picked on," he writes. Paul, Minn., of bigger kids who "push you down and knock you over and won't let you swing on the swings that you want to swing on." The experiences left such scars, writes David Michaelis in his 655-page "Schulz and Peanuts: A Biography," that Schulz "spoke of these bullies in the present tense."įans will be surprised, however, at something else Michaelis found during the seven years he worked on the biography, beginning just after Schulz-whom everyone called Sparky-died in 2000. They won't be surprised that Schulz once told Johnny Carson that in high school he failed "everything" and was chronically lonely, nor that he had bitter memories of his childhood in St. ![]() Fans of Charlie Brown and the rest of the "Peanuts" gang will not be surprised that Charles Schulz, "Peanuts"' creator, considered himself as bland and boring as his comic-strip alter ego, Charlie Brown. ![]()
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